Mezcla/Don't start mixing in Ableton Live without THIS!
Don't start mixing in Ableton Live without THIS!

Don't start mixing in Ableton Live without THIS!

Zdrewe6 min16 ene 2024
5 capitulos
  • Master Channel Setup and Limiter Importance(0'001'12)
    Proper levels are more important than tweaking sounds by small amounts; the master channel with a limiter is where mixing begins.
    Use a Clipper or Limiter on the master channel. Download the free Creative Extensions Pack from Ableton's website instead of using stock Ableton's Limiter.
    • Prevents over compressing and distortion when adjusting individual track levels • Saves significant time on tweaking levels during mixing and mastering • Reveals mixing problems immediately when engaged
    With the limiter on, you can hear exactly which level adjustments cause issues, making the mixing process faster and more efficient.
  • Setting Correct Peak Levels for Individual Tracks(1'122'21)
    The loudest element in your song (typically the kick) should peak at minus 6 dB, not zero dB.
    Setting the kick at minus 6 dB provides healthy headroom on the master channel at around minus 3 dB when you mix in all other elements, preventing clipping.
    • Kick: minus 6 dB • Snares: minus 6 to minus 12 dB (should hit nearly as loud as kick) • Bass: minus 6 to minus 12 dB (or even lower if it has more harmonics and mid-range) • Lead: minus 12 to minus 18 dB • Perks and rides: minus 8 to minus 24 dB
    Ableton Live shows visual ranges (-6, -12, -18, etc.) on the mixer that guide you on where to position tracks, making the mixing process intuitive.
  • Creative Balancing Within Suggested Ranges(2'214'57)
    While the suggested DB ranges provide correct brackets, you must still use your ears, creative decisions, and personal vibe when mixing.
    Perceived loudness depends on the Fletcher-Munson curve; bass elements with more harmonics and mid-range should be positioned lower in the mix.
    Move elements down within the suggested ranges while listening carefully. The ranges keep you in correct brackets but your ears make the final decision.
    By following these ranges, you achieve minus 3 dB headroom on the master, allowing you to drive the limiter further without distortion.
  • Creating Reusable Templates for Future Sessions(4'575'34)
    If you use the same set of drums, 808s, and work in the same genre consistently, the DB values you use will follow a recognizable pattern.
    • Pick a well-mixed track created with this method • Write down the DB amounts for main elements (kick, bass, main lead, quarts, etc.) • Keep these values for future reference
    Open a new Ableton Live set, create default tracks for your main elements, use the Utility tool to set the gain knob values you documented, then save as your default template.
    Starting each new session with this template gives you properly leveled tracks immediately, requiring only minor tweaks instead of full mixing from scratch.
  • Sound Selection as the Ultimate Challenge(5'346'24)
    After proper leveling, you're close to finished mixing requiring only a couple of tweaks.
    The final result heavily depends on sound selection; random choices of sounds and layers will require extensive EQ, compression, and saturation work.
    Learning proper sound selection is significantly harder than mastering leveling or general mixing techniques.
    Subscribe to unlock a future video on sound selection that will provide inspiration and unlock this skill for better music production results.