4 PRODUCERS FLIP THE SAME SAMPLE ft. Einmusik, Jonas Saalbach , Bebetta, biskuwi - ft. Sneaky Snitch

The show borrows a concept from Andrew Huang, taking a single sample and transforming it into four different tracks with featured producers from the community.

• Pine Music • Einmusik • Jonas Saalbach • Bebetta • biskuwi

• Arturia Micro Freak synthesizer • Arturia Micro Lab • Arturia synthesizers and effects • Random comment selection for winners • Additional giveaway on Instagram

The original sample is from Sneaky Snitch, pitched from 87 BPM to 120 BPM for this remix challenge.

• Pitched sample from 87 to 120 BPM • Extracted small loop from original sample • Converted to mono for centered bass placement

• Applied delay and distortion using Soundtoys plugins • Used Devlog from Soundtoys for EQ • Added sidechain compression and filter effects • Created stereo field with 15 millisecond maximum delay

Wrote MIDI notes inspired by the processed loop and layered piano with the sample loop for complementary sound.

• Created two additional sounds from the sample • Used Soundtoys Decapitator for punch • Applied compression, EQ, chorus and Slate Digital room plugin

Track starts with aggressive percussions and original sample loop, establishing direct connection with source material.

• Breakbeats create groovy, vintage atmosphere • Piano layer adds background depth and old game soundtrack feel • Reggae groove influences the overall vibe

Track evolves from dark and deep atmosphere to round, well-balanced sound with additional dimension from bass layers and filter movements.

• Effective breakdown section with creative snail flaps effect • Beautiful hook sound and cohesive arrangement • Maintains vintage PS1/PS2 soundtrack aesthetic throughout

Loaded sample on CD player and jumped around finding interesting snippets, then manipulated them with filters and effects in the studio.

• UFO sound created using erosion effect • Gate effect for staccato feeling with compressor and sidechain • Flangered pad and string hit with heavy reverb and overdrive for aggression

Built atmospheric foundation from original sample processed on mixer, then added classical arpeggiator sounds using Elektron equipment and additional electronic sounds for final section.

Combined processed atmospheric elements with drums, creating track that maintains connection to original through feeling rather than direct sampling.

Opening features reverb on kick drum with deep atmospheric pads and bass creating a serene, beautiful vibe.

• Long melodic shots and gorgeous lead sounds • Beautiful transitions and atmospheric pads • Well-orchestrated orchestral arrangements throughout

Expert use of layered pretty sounds creating full, immersive experience with perfect balance and gorgeous atmosphere.

Original sample subtly integrated throughout, making it difficult to identify direct source material but maintaining overall aesthetic coherence.

• Analyzed original file to assess tempo compatibility • Found original too slow for usual production range • Changed BPM to 122 using Ableton for superior tempo algorithm

Found loopable sound at the end of sample that became the foundation for entire remix, applying delay and reverb gradually into production.

Identified specific chords matching the sample and created baseline with kick drums, adapting to tonal changes within the sample.

Dropped real sample tool into main sections and combined base tone, harmony, drums and baseline for cohesive arrangement.

Track opens directly with original sample and joyful freestyle kick that immediately establishes identity with perfect chord progression.

• Ping-pong delay on sample creates spatial interest • Signature Einmusik chord progression anchors the track • Repeating laces and perfect rhythmic foundation

Track builds from nice ambience through strong chord progressions and melodic elements with building drums that create natural progression.

• Groovy bass line with excellent flavor • Fills listener with joy and happiness • Well-suited for club environment • Smart and efficient use of original sample

Decomposed original track into individual elements including bass, distorted bass, short hit, horn, snare and other components to rebuild completely from source material.

• Created custom kick drum separately from sample • Extracted and filtered sub bass from sample • Duplicated and tuned bass one octave above • Enhanced ambience with chorus bass using Pigments synthesizer

• Built most important pad from Pigments by looping sneaky snitch freeze • Created drums from snare hits using LFO and EQ manipulation • Divided sample into three parts with different lengths for varied drum sounds • Created claps from original sample snare with extreme pitch modulation

• Used DIVA preset pack for break sound inspiration • Accidentally discovered chord progression using horn sound and Repro • Happy accident produced excellent result that was kept in final track • Created transitions by resampling bases and heads

Opens with solid groove establishing peak time club atmosphere from the beginning with deep, dark emotional tone.

• Deep emotional atmosphere with nice harmony • Well-designed synthesizer sounds and balanced quartz tones • Rising melody during breakdown with beautiful tremolo pads • Excellent reverb use for spatial depth

Original sample cleverly integrated so it remains subtle and well-balanced, making it difficult to recognize direct source material at first listen.

• Very suitable for club environment with strong energy • Dope production with excellent arrangement • Masterful use of resampling and synthesis • Track worthy of professional DJ performance