Consejos de diseño y producción de sonido/3 Lifechanging FX Chains Every Producers Should Know
3 Lifechanging FX Chains Every Producers Should Know

3 Lifechanging FX Chains Every Producers Should Know

3 capitulos
  • WAH Pedal Effect - Creating Dynamic Filter Movement(0'004'14)
    The WAH effect creates interesting, dynamic sounds by mimicking the natural speaking patterns of a person saying 'wah,' making it relevant for both guitar and electronic music production.
    • Auto filter with 24 dB tight band pass filter (OSR for warmer tone) • Frequency range mapped from 250 to 2000 Hz for the main guitar body • Overdrive effect clipping the sound with high-end cutting • Cabinet simulation for real-world amplifier response
    Map important parameters to a single controller, combining the filter sweep, amplifier type, overdrive, tone, resonance, and cabinet selection for unified control.
    Pair the WAH chain with synthesizers for aggressive, old-school Prodigy-style sounds by using distortion and combining multiple pedal effects together.
  • Filtered Delay Chains - Creating Evolving Soundscapes(4'149'14)
    Create long delay tails by filtering out parts of the sound and applying the filter repeatedly with each delay repetition, gradually deepening the effect.
    • Start with a simple chord progression • Apply low-pass filter with long feedback on delays • Use ping-pong panning for stereo spread • Create movement using LFO-modulated delays or manual filter sweeps
    Duplicate delay chains with different timings: a deep one at slow speed, a main one at medium speed, and additional faster delays for richness. Add glue compressor to even out volume levels.
    Apply flanger or phaser to specific delays, use reverb for spatial depth, and add modulation effects like chorus to the original sound for additional movement.
  • Dreamy Electronica - Granular Pitch Layering(9'1412'30)
    Start with a bell-like preset sound as the base, using an echo effect with both pitching capabilities and granular engine for creating sprinkly, crystalline textures.
    • Duplicate, freeze, and flatten the original sound • Reverse the sound to create bell-like ringing • Apply pitch effects with varied settings • Create stereo-panned versions with different pitch parameters for width
    Group left and right versions together, then group everything as one. EQ the channels individually, apply flanger or chorus for movement, and compress for cohesion.
    Apply reverb (such as Pro Reverb for deep warmth) or simple echo to the master group, followed by final EQ to create a beautiful, dreamy electronica sound.