3 famous BASS lines: drum and bass, melodic techno and deep house

The bubble bass sound uses triangle and sine waves modulated together to create a deep wobbling bass characteristic of liquid drum and bass at 172 BPM.

• Use Serum with a basic move oscillator in slider B set to the seventh semitone up for a power chord sound • Layer a second oscillator one octave up for brightness • Add a sub bass in the middle for reinforced low end

• Apply LFO to wavetable position for continuous movement • Use a second LFO on amplitude levels to create sophisticated variation • Add pink noise and apply distortion for aggressive character • Layer flanger, chorus, and compression to shape the final tone

Apply mid-side EQ to keep frequencies below 200 Hz mono, use channel EQ to boost low end, and apply side-chain compression to the kick for dynamic interaction.

Create a simple, punchy sound using a square wave oscillator with a colored secondary oscillator layer to add character and authenticity.

• Play the same note but move it up or down before the end of each bar • Keep the movement minimal compared to other genres to maintain the aesthetic of deep house • Create movement that can be heard when played with the track

• Use fast, short pitch envelope at the beginning for click definition • Apply volume and cutoff envelopes for dynamic shaping • Add unison on the high-pitched oscillator while keeping the sub mono for clarity

• Layer the main sound with a duplicate at different pitch for color and warmth • Add a sub-bass sine wave for steady low-end support • Apply tube distortion for warmth and apply side-chain compression to the kick

Use Diva with the 10 Place mono mini Moog emulation to achieve a classic, warm analog sound.

• Set oscillator to 16 feet for deep low frequencies with analog character • Detune oscillators up and down to create a thick, aggressive sound • Apply FM synthesis between oscillators with synchronization for complex timbral movement • Add feedback to the filter for dark, grungy character and layer noise for additional texture

• Use Ableton's LFO to modulate tuning up and down for pitch movement • Apply envelope to cutoff filter for dynamic tone shaping • Add glide between notes for smooth, dramatic transitions

• Apply plate reverb for spatial depth and sustain • Use saturator with wave shaper for controlled distortion • Assign cutoff filter and reverb to macro controls for live performance manipulation